Shaming describes any form of reaction to deviant behaviour that causes shame in the deviant. Braithwaite assumes two different forms of shaming. Disintegrative shaming has a stigmatizing effect and excludes a person from the community. It thus provides for the emergence of secondary deviance and is thus related to the
subculture
Theory of differential opportunities (Cloward & Ohlin)
The theory of differential opportunities combines learning, subculture, anomie and social disorganization theories and expands them to include the recognition that for criminal behaviour there must also be access to illegitimate means. Main proponent Richard A. Cloward und Lloyd E. Ohlin Theorie Cloward & Ohlin’s theory of differential opportunities represents
Differential association theory (Sutherland)
In his differential association theory Edwin Sutherland proposes that criminal behaviour is learned. A person will be delinquent if there are prior attitudes that favour violations of the law, as opposed to attitudes that negatively evaluate violations of the law. Main proponent Edwin H. Sutherland Theory Edwin Sutherland’s theory of
Subcultural theory (Cohen)
Cohen’s subcultural theory assumes that crime is a consequence of the union of young people into so-called subcultures in which deviant values and moral concepts dominate. Subcultural theory became the dominant theory of its time. Main proponent Albert K. Cohen Theory Cohen’s basic assumption is that most juvenile criminals are
Cultural Criminology
Cultural criminology is not a crime theory in the narrower sense. Rather, it is a theoretical current that has emerged in the English-speaking world and, based on cultural studies and critical theories of criminality, understands deviance and phenomena of crime control as an interactionist, symbol-mediated process and analyses them with
Seductions of Crime (Katz)
The central thesis of Seductions of Crime is that situation-specific emotional and sensual sensations play a major role in the committing of crimes. It is not a complete theoretical building, but rather the sensual experiences and emotional states of the perpetrator that are brought to bear in various forms of
